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It’s a studio made up of smaller names who have been in the industry for years - people who have worked on games such as Battlefield: Bad Company 2, Split/Second and Payday. It was the perfect cinematic example of scrappy beginnings leading to something greater than it initially seemed.īarcelona-based developer Big Star Games seems to want to emulate that same formula. It became a cult classic, required viewing in college dorm rooms.
#Reservoir dogs movie
It wasn’t until 1994’s much more popular Pulp Fiction that Tarantino’s career blew up and movie fanatics went back and discovered just how great Reservoir Dogs was. When it came out in 1992, the crime film received plenty of buzz but mixed reviews, including famously critical write-ups from Roger Ebert and Gene Siskel.
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A handpicked selection of stories from BBC Future, Earth, Culture, Capital, Travel and Autos, delivered to your inbox every Friday.We’re 25 years into the largely very successful film career of Quentin Tarantino, which makes it easy to forget that Reservoir Dogs, his first feature-length film as a director, was not immediately beloved.
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Īnd if you liked this story, sign up for the weekly bbc.com features newsletter, called “If You Only Read 6 Things This Week”. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter. His Reservoir Dogs aren’t goodfellas or wise guys, but boys who never grew up. Consciously or not, Tarantino may have chosen this title because that is what the characters are. And perhaps that’s why, when Mr Orange recites a story about his stint as a drug dealer, his main complaint is that people kept ringing him while he was trying to watch The Lost Boys.
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Perhaps that’s why Tarantino chose to open the film with his riff on Madonna’s Like a Virgin the men around the diner table – juvenile, volatile, afraid of women – might as well be hormonal virgins themselves. None of them is mature enough to handle “that woman-man thing”. But at heart they are teenagers stuck in their parents’ basements. The characters like to view themselves as fearless gangsters. It’s true that Mr White reminisces about a female associate called Alabama (presumably the Alabama played by Patricia Arquette in the Tarantino-scripted True Romance), but he claims that their partnership couldn’t last: “You push that woman-man thing too long and it gets to you after a while.” That sums it up. And whenever women are mentioned - as in a sniggering anecdote about a waitress who glued her abusive husband’s penis to his stomach - it sounds like the misogynistic locker-room gossip of boys who have never plucked up the courage to speak to a real live girl. Tarantino would go onto write substantial roles for Uma Thurman in Pulp Fiction and Kill Bill, and for Pam Grier in Jackie Brown, but in Reservoir Dogs there isn’t a single line of dialogue spoken by a woman. More specifically, it’s a film about male geeks. Black suits and snappy dialogue notwithstanding, Reservoir Dogs wastes no time in establishing that its characters are losers, one and all. Tarantino doesn’t glamourise his anti-heroes’ profession by showing them swaggering in and out of the jewellery store they’re sticking-up he only shows us the messy, painful and humiliating aftermath of their botched job. Even before Little Green Bag has finished, we start to hear agonised gasps and whimpers, and the next thing we see is a terrified Mr Orange (Tim Roth) bleeding all over the back seat of a car driven by his panicky colleague, Mr White (Harvey Keitel).
#Reservoir dogs code
With an iconic sequence that has inspired the dress code of a million stag nights, Tarantino persuades us that we’re about to see a heist being pulled off to perfection by the coolest dudes since the Rat Pack starred in Ocean’s Eleven.īut it’s all a trick. After seven minutes of this repartee, we see the criminals strolling in slow-motion through the Los Angeles sunshine, while The George Baker Selection’s finger-clicking Little Green Bag sets the mood. First, we see a group of sharp-suited career criminals sitting around a diner table and chatting about everything except the diamond robbery they’re planning to commit: an old address book the etiquette of tipping the meaning of Madonna’s Like a Virgin. The film’s high-mindedness is apparent in its opening scenes.